“But What About Free Will?”

I caught the movie Tomorrowland at a matinee on Saturday.  If you haven’t seen it yet, or if you don’t want spoilers, then don’t go below the break, but let me say that it was not the film I was expecting.

Nor was it the Politically Correct Social Justice Warrior Global Warming propaganda piece some are claiming.

Again, here be spoilers.  You have been warned.

You’ve probably seen the trailers.  Young girl touches medallion, gets transported (in spirit if not in body) to Tomorrowland where everything is clean, beautiful, high-tech, awesome.  She meets a curmudgeon who can somehow get her there, but they’re being pursued by Evil Forces.

All that’s there.

What I didn’t expect, however, was the morality tale it DID contain.

Now, perhaps I don’t read the right kind of science fiction, but one thing the movie asks that I haven’t seen asked before is “Where’s the hope?”

(SPOILER!)  George Clooney’s character asks the question, “What would you do if I could tell you exactly the date and time you were going to die?” (Paraphrased from memory, but that is the gist of the question.)  Seems he’s invented a machine that allows him to see into the future – and the future is grim.  Grim with a probability of 100.00 percent.  Past this date there be dragons. (Figuratively, not literally.)

But when the young girl responds, “How could you know?  What about free will?” the probability indicator drops to 99.94%.

I was reminded of this scene from 2011’s The Adjustment Bureau:

[youtube https://www.youtube.com/watch?v=rKhvl2MjO9E?rel=0&controls=0]
In this film the equivalent role of “Thompson” is played by Hugh Laurie as “Governor Dix.”

I was also reminded of last year’s “The Giver.”  Here’s the key scene from that film:

[youtube https://www.youtube.com/watch?v=IEDu9jVpUjI?rel=0&controls=0]
It seems over in Tomorrowland they built a machine to broadcast subconscious warnings to us here on Earth of the coming apocalypse.

Humanity’s response?

We internalized the message.  We embraced it.  Hell, we commercialized it.  Disaster movies, zombies movies and TV shows, post-apocalyptic fiction. (Have you ever read Cormac McCarthy’s The Road?) Terrorism and jihad.  War and famine.  On and on.

Earlier in the film the protagonist is shown in her various high school classes being lectured on:  Global Warming, the population bomb, Mutual Assured Destruction and the new threat of nuclear terrorism, etc.  Throughout it all, she has her hand up, but is only called on in the last scene.  “Who’s trying to fix it?” she asks.

There is no answer.

For at least the first 150 years of this nation (1860-65 notwithstanding) the overwhelming national outlook was optimistic.  We could go anywhere, do anything.  Hell, in 1962 John F. Kennedy challenged us to send a man to the Moon and return him safely to the earth before 1970 – and we did.  We went from a colonial backwater to the most powerful nation on Earth in the relative blink of an eye because, I believe, of one idea:  “the pursuit of happiness.”

And in the meantime those who believe “we choose wrong – always” have done everything in their power to choose for us, to remove our ability to choose for ourselves.  The message of “The Adjustment Bureau” was that if not for “The Chairman” and the Bureau, humanity would have destroyed the Earth. We needed to be brought along into adulthood by some Higher Power. The idea behind “The Giver” was that we had pretty much destroyed ourselves, and only through the administration of The Elders had this small enclave of civilization survived by essentially removing emotion, choice, hell even thought.

Tomorrowland asks, I think, “When did we stop hoping? And why don’t we do something about that?

It’s a good question, and it shouldn’t get lost in hysterics over political correctness.

UPDATE:  Bill Whittle, however, makes some good points.

[youtube https://www.youtube.com/watch?v=gmxeoh69G4o?rel=0&controls=0]

Irony

French Artist’s Calls For Peace End in Brutal Beating By Local Muslims

 photo combo_coexist.jpg
French street artist Combo was physically assaulted over his latest art work. Photo: Combo Culture Kidnapper/Facebook

It was very offensive and local Muslims demanded he take it down.

Four Muslims in Porte Dorée (the Golden door), a ghetto east of Paris, beat artist Combo after he refused to take down his Coexist street art. Combo suffered a dislocated shoulder, bruises and a black eye.

Guess he should have painted this version:

 photo coexist-especially-you-assholes.jpg
That would have worked so much better.

“Are we all quite mad here in the developed world?”

Not all of us, but far too many.

Next question?

Mark Champion of Bloomberg View asks the question upon considering the reaction to the government of Spain deciding to euthanize a mixed-breed dog, pet of a Spanish nursing assistant who contracted the Ebola virus.  He reports:

A petition to save Excalibur, the pet dog of a Spanish nursing assistant who has contracted Ebola, received more than 370,000 signatures before the animal was sedated and killed as a precautionary measure this evening. As his corpse was taken away in a van for incineration, a crowd of activists who had clashed with police during the day were reportedly shouting: “murderers!”

I don’t remember people clashing with police to persuade their governments to do more to help stop the spread of Ebola in Africa, where more than 3,400 human beings have died from the disease. Indeed, an online petition to persuade the U.S. government to fast-track research for an Ebola drug has so far received 152,534 signatures. By that measure, we care half as much about finding a cure for Ebola as saving a dog.

Go read the piece and look at the pictures of the protesters in this Daily Mail piece.

In related news, PETA (People for the Ethical Treatment of Animals, not People Eating Tasty Animals) wants to put up a granite memorial at a location where “hundreds of terrified chickens suffered and died” as the result of a truck accident.

I think a memorial Kentucky Fried Chicken outlet should be built there.

A Popeye’s just wouldn’t have the proper gravitas.

Edited to add:  James Lileks weighs in on the subject.